{"id":896,"date":"2026-06-26T19:09:40","date_gmt":"2026-06-26T19:09:40","guid":{"rendered":"https:\/\/commercialrelocationpros.com\/?p=896"},"modified":"2026-06-26T19:09:40","modified_gmt":"2026-06-26T19:09:40","slug":"supergirl-crashes-and-burns","status":"publish","type":"post","link":"https:\/\/commercialrelocationpros.com\/?p=896","title":{"rendered":"Supergirl Crashes and Burns"},"content":{"rendered":"<section>\n<p>The success of last year\u2019s <i>Superman<\/i> proved that there was still <i>some <\/i>interest in comic-book movies, all of these years into their Hollywood-blockbuster dominance. The director James Gunn reintroduced viewers to the aw-shucks costumed champion, this time trying to make a name in a cynical, contemporary landscape, and Gunn\u2019s approach made the classic superhero ideals of truth and justice feel fresh instead of corny. Tucked into the story was another caped crusader: Superman\u2019s chaotic cousin, a hungover and bedraggled 20-something who possessed none of his goody-two-shoes poise.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=894\">Europe\u2019s Come-to-AC Moment<\/a><\/p>\n<p>This was Supergirl (played by Milly Alcock), and now she is getting a movie of her own. Part of the new crop of DC Comics movies, this latest installment is designed to build out a wider, interconnected franchise, much as Marvel did years ago. DC already unsuccessfully tried to expand its cinematic footprint a decade ago, with a grim and muddy trilogy from the filmmaker Zack Snyder. <i>Supergirl<\/i>, directed by Craig Gillespie,swings at the brighter tone Gunn brought to <i>Superman<\/i>. If Superman is the ultra-responsible face of the franchise, Supergirl is supposed to be his messier, relatable counterpart. Yet Alcock\u2019s charming performance cannot elevate <i>Supergirl <\/i>beyond franchise filler\u2014a disorganized character study meant only to extend a universe.<\/p>\n<p><i>Supergirl <\/i>is, on paper, aiming for something knottier than a typical comic-book adaptation. The titular hero was born on the doomed alien world of Krypton, and grew up in a shielded city that managed to survive the planet\u2019s initial destruction. When that last bastion falls and she finally arrives on Earth in a spaceship, she\u2019s a teenager mourning a family and civilization she knew and loved\u2014as opposed to her cousin, who departed as a baby and has no memories of his home world. Supergirl\u2019s grief sends her binge drinking across the galaxy to dull the pain of losing Krypton.<\/p>\n<p>Looking at his previous work, I can understand why Gillespie was hired for the gig. For <i>Cruella<\/i>,he was handed another piece of female-centric intellectual property by Disney, making a complex figure out of a classic cartoon villain. Before that, he directed <i>I, Tonya<\/i>, a biopic that tried to untangle the backstory of a much-scrutinized antihero, the figure skater Tonya Harding.But <i>Supergirl<\/i> doesn\u2019t quite want to deal with the immensity of its protagonist\u2019s feelings; her drunken stupor is often played for laughs, defined by disheveled hair, big sunglasses, and plenty of slurred speech.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=892\">The Supreme Court\u2019s Era of Meaningless Rights<\/a><\/p>\n<p>That\u2019s the state Supergirl is in when she is dragged into a local dispute on some far-off planet, defending the honor of an orphaned teenage girl, Ruthye (Eve Ridley); her parents were murdered by a brigand named Krem of the Yellow Hills (Matthias Schoenaerts). When Supergirl\u2019s boisterous dog, Krypto, is imperiled during the fracas, she and Ruthye must hunt Krem down to save him. Superman pops in for a couple of cute scenes along the way, while another DC side character, the alien and bounty hunter Lobo (Jason Momoa), appears as a tortured bit of universe-building. All of this business, however, gets in the way of providing Supergirl herself with a fulfilling storyline.<\/p>\n<p>The script, by the playwright Ana Nogueira, is a close adaptation of a fairly celebrated comic-book series called <i>Supergirl: Woman of Tomorrow<\/i>. The wild sci-fi elements, such as scummy aliens and wacky monsters, will likely remind audiences of a Marvel effort, namely Gunn\u2019s <i>Guardians of the Galaxy<\/i>movies. Supergirl has good reasons to avoid Earth\u2014she feels overshadowed by her widely beloved cousin and disconnected from the humans he\u2019s protecting\u2014but there\u2019s little sense of place to the various CGI-rendered landscapes she travels through. That geographic blandness only emphasizes the film\u2019s other shortcomings, such as Schoenaerts\u2019s anonymous work as the villain (a lot of glowering and creepy glares) and the rather rote big-sister\/little-sister arc given to Supergirl and Ruthye.<\/p>\n<p>Despite the darker notes Gillespie seems to be searching for, Supergirl repeatedly insists to Ruthye that she should avoid seeking revenge, because doing so would change her inexorably\u2014a warning Ruthye heeds even as the pair is playing an interplanetary cat-and-mouse game with the murderous Krem. The movie basically imports <i>Superman<\/i>\u2019s moral code, which doesn\u2019t really jibe in a story filled to the brim with cigar-chomping bounty hunters and outlaws. As a result, Alcock must abruptly perform different types of emotionally varied material\u2014goofy comedy, heroic duty, and her character\u2019s tragic origin story. That\u2019s a shame, because she\u2019s clearly capable of handling all of it. Supergirl the character still has a lot going for her, presumably including a future in the DC Universe. <i>Supergirl <\/i>the film, meanwhile, is only a mildly diverting whiff.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=890\">A Writer Learns How to Read Again<\/a><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>The newest installment in the DC Universe is forgettable filler.<\/p>\n","protected":false},"author":1,"featured_media":895,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-896","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Supergirl Crashes and Burns - Commercial Relocation Pros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/commercialrelocationpros.com\/?p=896\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Supergirl Crashes and Burns - 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