{"id":497,"date":"2026-06-11T13:15:25","date_gmt":"2026-06-11T13:15:25","guid":{"rendered":"https:\/\/commercialrelocationpros.com\/?p=497"},"modified":"2026-06-11T13:15:25","modified_gmt":"2026-06-11T13:15:25","slug":"disneyland-with-no-people","status":"publish","type":"post","link":"https:\/\/commercialrelocationpros.com\/?p=497","title":{"rendered":"Disneyland With No People"},"content":{"rendered":"<section>\n<p><span>When I was 17,<\/span> I worked at Fantasyland\u2019s magic shop as a magician demonstrating Svengali decks, cups and balls, and the Incredible (their word) Shrinking Die. I loved working to exhaustion, and I was proud to become the shop\u2019s youngest night manager. When Disneyland\u2019s summer hours were extended to 9 p.m. on weekdays and midnight on weekends, I was in heaven. I could watch date night unfold, allowing me to observe and absorb teen romantic norms. One night, however, a chance encounter with a renowned artist was to grip me more than 60 years later, setting my nostalgia for Disneyland in dramatic black and white.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=495\">Hunter Biden\u2019s Life After Shame<\/a><\/p>\n<div>\n<section>\n<div>\n<h2>Explore the July 2026 Issue<\/h2>\n<p>Check out more from this issue and find your next story to read.<\/p>\n<\/div>\n<p>View More<\/section>\n<\/div>\n<p>A summer evening in 1962: The fireworks were over, the crowds dwindled, and the store emptied. I counted out the registers, turned out the lights, and locked the hand-carved sorcerers\u2019 doors behind me.<\/p>\n<p>My usual route out was through Sleeping Beauty\u2019s castle, over the moat via a working drawbridge. But tonight, a security guard stopped me. \u201cCan\u2019t go that way, gotta go out the side exit.\u201d \u201cWhy?\u201d I asked. He said, \u201cThere\u2019s a photographer taking a picture.\u201d<\/p>\n<p>I obediently took the adjacent side route (in those days, film was expensive, so no one stepped in front of even the most casual snapshot). I passed the photographer, a woman. I want to say I remember the camera, whether it was on a tripod or whether she held it, and what she was wearing. But I can\u2019t. I want to say I was there when the camera clicked as I strolled by, but I can\u2019t. I want to say I stopped and chatted. I didn\u2019t, but I wish I had. Because the photographer was Diane Arbus.<\/p>\n<p>Arbus, among the most renowned photographers of the 20th century, is known for her photographs of the outliers next door\u2014carnies, identical twins, exotic dancers, and weight lifters, among others. (It\u2019s sloppy to call her subjects \u201cfreaks,\u201d as some observers did, a term that slanders the subjects as well as the photographer.) She found people to photograph who were visually captivating and dignified, and who pulled us into fringe worlds that most of us know nothing about.<\/p>\n<p>Her photos without people as subjects are rare and more rarely shown. There exist only a dozen or so depopulated images, including a puddle on a sidewalk, a wax-museum axe murderer (I\u2019m calling a waxen axe murderer a nonperson), a facade of a Hollywood movie set with scaffolding propping up its skeletal shell, and the creepy interior of a dark ride at Coney Island.<\/p>\n<p>After a bus trip from Manhattan to Southern California, she decided to photograph what she called \u201cpseudo places,\u201d an apt description of Disneyland\u2019s high, rampant whimsy. Her notebook from the period: \u201cI have found the most wonderful pseudo places at dawn in Disneyland, ruins of Cambodian temples which never existed, false deserts littered with bones of animals who never died, mountain like a shrine for unbelievers. And black swans swim in the moat of a castle which looks like the advertisement for a dream.\u201d<\/p>\n<p>The presence of Disneyland\u2019s \u201cguests\u201d in the photos, I suppose, would have given the photos a souvenir context that would have rendered them flat, so Arbus arranged access in the off-hours, when the park would be empty. (The park\u2019s rules were more easygoing then. Remember, I started when I was 10 years old and was paid my day\u2019s earnings\u2014about $1.50\u2014in cash.)<\/p>\n<p>She turned her camera on \u201cSkull Rock,\u201d a self-explanatory name describing an outcropping of plaster, where a Yo-Ho-Ho dead man\u2019s skull emerges out of the volcanic upheaval (around the corner from Mr. Toad and just behind the Chicken of the Sea pirate ship). Arbus\u2019s photo transforms a fake scary place into an actual scary place: The photograph is nightmare material for both children and adults.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=493\">As American as the Forward Pass<\/a><\/p>\n<p>She also shot a sunset scene of ersatz boulders, looking like a carapace army resting on transports, waiting to be moved into place. The image is officially titled <em>Rocks on wheels, Disneyland, Cal.1962<\/em>. But it is undoubtedly misnamed: The setting is a mountainous terrain, probably the Anaheim Hills, whereas Disneyland\u2019s domain is as flat as Kansas. The rocks were traveling to, and had not yet arrived at, Disneyland.<\/p>\n<p>The photo delivers a Daliesque strain of surrealism\u2014as well as a dash of humor, but only if you want it. In Arbus\u2019s Disneyland series, humor was the last thing on her mind. The inevitable irony inherent in pointing out phony places\u2014motels that look like tepees and giant roadside dinosaurs\u2014is absent from these honestly delivered photos.<\/p>\n<p>Her final Disneyland image is of Sleeping Beauty\u2019s castle, the perfect \u201cpseudo place\u201d and my home away from home\u2014where I heard Tchaikovsky\u2019s \u201cSleeping Beauty Waltz\u201d on a loop. The castle\u2019s authority makes you believe it\u2019s real, despite being smaller than it should be, prettier than it should be. (If you turned your head to the right, you could see a TWA rocket ship ready for launch to the moon.) Arbus photographed the castle as though it were a delectable sweet\u2014more akin to what it was to us Disneyland romantics than to a Manhattan ironist. There is no evidence of mockery in the photo, and if there is, certainly the glowing white swan gliding on the moat\u2019s black water doesn\u2019t know it.<\/p>\n<p>As the decades passed, I became more conversant with Arbus\u2019s work. But I remained unaware of the castle image until much, much later.<\/p>\n<p>When I finally saw the castle photo, it was like being surprised by a snapshot of your toy box from when you were 5. A sudden yank back in time, pulled not just by familiarity, but by a tangible recall of time and place, with the mood exactly right. For the first time in years, I remembered the incident with the mysterious photographer. Research showed that the dates lined up, the hours lined up, the location lined up: The after-hours lone photographer I passed was undoubtedly Diane Arbus.<\/p>\n<p>My nostalgia\u2014more like melancholy\u2014for Disneyland has waned but is not absent. It has been replaced by a bundle of more recent memories, of family and parenthood. But seeing the image now, nearly 65 years later, I am taken back to the castle undimmed, starlit, swan-lit. In Arbus\u2019s mind, I\u2019m sure the photo was slightly bent, but to me it is accurate, straightforward, and ever so real, even if it is pseudo.<\/p>\n<p><em><small>This article appears in the <\/small><\/em><em><small>July 2026<\/small><\/em><em><small> print edition with the headline \u201cDisneyland With No People.\u201d<\/small><\/em><\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=491\">When Both Parties Try to Out-Macho Each Other<\/a><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>My encounter with a giant of American photography<\/p>\n","protected":false},"author":1,"featured_media":496,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[31],"tags":[],"class_list":["post-497","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-viewfinder"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - 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