{"id":1806,"date":"2026-08-04T12:40:33","date_gmt":"2026-08-04T12:40:33","guid":{"rendered":"https:\/\/commercialrelocationpros.com\/?p=1806"},"modified":"2026-08-04T12:40:33","modified_gmt":"2026-08-04T12:40:33","slug":"one-problem-with-attacking-the-smithsonian-americans-like-it","status":"publish","type":"post","link":"https:\/\/commercialrelocationpros.com\/?p=1806","title":{"rendered":"One Problem With Attacking the Smithsonian? Americans Like It."},"content":{"rendered":"
\n

Earlier this year, I visited a \u201cFreedom Truck,\u201d one of the patriotic mobile museums that the Trump administration is sending around the country for the nation\u2019s 250 birthday. There, I had a wide-ranging conversation with a visitor who complained that the U.S. education system is not teaching what she called true history. But when I mentioned the Smithsonian, her disposition changed entirely. She\u2019d heard rumors about \u201ca lot of liberalism going through the Smithsonian now,\u201d she told me, but added, \u201cI love the Smithsonian. I don\u2019t have a problem with it.\u201d<\/p>\n

Read more The Catholic Church\u2019s New Schism<\/a><\/p>\n

I hear this a lot, actually. Even now, as the museum complex continues to face a pressure campaign from the White House, public fondness for the Smithsonian\u2014for its free entry and eclectic collections\u2014is hard to break among those otherwise receptive to President Trump\u2019s anti-institutionalism.<\/p>\n

Attacks on the credibility of institutions, especially those that disseminate information\u2014universities, public schools, media organizations\u2014have become commonplace in this so-called post-truth age. Recent data from Gallup, published last month, suggested that confidence in the majority of institutions asked about in the survey, including newspapers, public schools, and TV news, is at or near historic lows. Pollsters, meanwhile, don\u2019t even include museums in the Gallup surveys. Although museums have certainly faced some criticism from the left and right, until now, they\u2019ve been largely immune to the most deleterious effects of the culture wars.<\/p>\n

This may be because most Americans, unlike the president, seem to trust these entities to do their thing. A YouGov survey last week found that 57 percent of Americans said that the amount of influence the president should have over exhibits and programming at federally funded museums should be \u201cnone\u201d or \u201cnot much.\u201d Just 17 percent of Republicans seemed to take the president\u2019s position: that he should have a \u201cgreat deal\u201d of influence. Coming after a history museum may not be the base-galvanizing issue the White House hopes it is.<\/p>\n

Industry data support these findings. In a survey this year, Wilkening Consulting, in partnership with the American Alliance of Museums, found that when people were asked whether museums, faced with pressure, should remove content on topics such as slavery and climate change, the majority of conservatives (63 percent) and liberals (83 percent) disagreed. An oft-cited statistic from the same pair of organizations places museums among the most trusted sources of information in American life, falling just behind public libraries and family and friends. It suggests that museums occupy a rare and cozy place in the collective imagination.<\/p>\n

At a time of high mistrust in not just institutions but also observable reality, people seem to still find a sense of stability in these keepers of public memory. Perhaps it makes sense that Americans would put their last bits of trust in the very places that show them what is physically, tangibly real.<\/p>\n

For more than a year, the White House has threatened and criticized the Smithsonian, accusing it of spreading divisive narratives and failing to adequately celebrate American history. In recent weeks, the administration has zeroed in on the National Museum of American History, publishing a lengthy report last month decrying exhibits, calling out staff members, and that the museum has fallen victim to \u201cideological capture\u201d at the hands of a \u201cradical, activist cohort.\u201d During a pair of congressional hearings, the museum\u2019s director, Anthea Hartig, attested to her love of this country some half a dozen times while maintaining that telling the American story in all of its complexity is a form of respect for its people.<\/p>\n

Two days later, Trump announced an executive order that would effectively plaster untrustworthy on signs outside the National Museum of American History, like an explicit content label on a CD. The administration ordered the National Park Service to put up the signage in front of the museum to correct what it claims is \u201cinaccurate information\u201d and to share the findings of its report, which claims that the current leadership of the Smithsonian and the history museum cannot be trusted to tell the American story.<\/p>\n

Right-wing media organizations have echoed this messaging, and since the hearings, Fox News has published dozens of clips and articles criticizing the Smithsonian and scrutinizing its leadership\u2019s pay, highlighting months-old proposed budget cuts, and tallying the number of \u201cliberal items\u201d in a recent exhibit.<\/p>\n

The Smithsonian, which is partially government-funded, has faced partisan flare-ups over the years. A controversy over how to display the airplane that dropped the atomic bomb over Hiroshima compelled a museum director to resign in 1995. In 2010, Smithsonian leadership removed from the walls of the National Portrait Gallery an artwork showing a crucifix with ants crawling on it after a right-wing outcry. But these incidents involved single exhibits. Now the White House is making a much more comprehensive case against an entire museum and the institution to which it belongs. With the ordered signs, which will direct visitors to Trump-preferred sources of information, the White House is stepping between visitors and historic objects as though to say: Don\u2019t trust what you see inside. Choose us instead.<\/em><\/p>\n

Read more Get Used to High Gas Prices<\/a><\/p>\n

This is where museums and friends and family actually share something in common. Culture wars thrive on the unknown. But museums are an in-person activity. \u201cIt\u2019s you directly with that artwork or you directly with that specimen, whatever it is. That object feels like it\u2019s speaking directly to you as a trustworthy thing from the past. That in and of itself lends a lot of credibility,\u201d Susie Wilkening, who runs the American Alliance of Museums\u2019 research about museums and trust, told me. Max van Balgooy, a professor of museum studies at the George Washington University, had similar thoughts: \u201cIf you see the gun that John Wilkes Booth used or the chair sat in by John Hancock, you\u2019re sort of faced with the truth,\u201d he told me. \u201cYou can\u2019t argue with the real stuff.\u201d<\/p>\n

Museums weren\u2019t always the hubs of knowledge they are today. They had to both differentiate themselves from the likes of P. T. Barnum\u2019s \u201cmuseum\u201d as serious scholarly enterprises, devoid of exaggeration and fakes, and invite in ordinary visitors.<\/p>\n

At the National Museum of History and Technology, which opened in 1964 and went on to become the National Museum of American History, curators strived not just to show objects but also to tell stories, enhanced with well-designed spaces. In the early days, these stories largely celebrated technological progress: When Daniel Boorstin started as the history museum\u2019s director, in 1969, he nodded to the political ruptures of the era and said, \u201cHere, we emphasize the positive. Without denying our failures, we underline and dramatize our successes.\u201d But as more academics joined the museum, they began to stress questions of who, exactly, benefited from American progress, and worked other critical themes into exhibits. The trend\u2014moving from the rah-rah to the sober\u2014was exemplified by a 1987 exhibition that commemorated the bicentennial of the American Constitution and detailed the abuses of Japanese American internment camps.<\/p>\n

Unlike with other kinds of institutions, such as news sites, naysayers can\u2019t easily form museum alternatives aligned with their perspective. (Partisan museums often struggle to compete with mainstream institutions in terms of historical artifacts.) Part of a museum\u2019s trustworthiness may simply come down to the basic fact that it owns these objects and shows them in an authoritative-looking building. Darryl Hart, a history professor at Hillsdale College, an institution that has worked with the Trump administration on education topics, suggested that museumgoers typically don\u2019t think to critique what they see. \u201cFor some people, it\u2019s simply part of what they do on a vacation, and I think they check a box,\u201d he told me. \u201cMy sense is, people really are going there fairly innocently, not looking for an agenda.\u201d<\/p>\n

The data concur. \u201cOn the whole, museums are not believed by the American public to have a political agenda,\u201d Colleen Dilenschneider, the founder of Impacts Experience, a market-research firm that examines perceptions of cultural institutions, told me. Her research, which relies on data from the National Awareness, Attitudes, and Usage Study, found that as of July 1, fewer than a quarter of Americans surveyed believed that museums had political agendas\u2014compared with well over half who believed the same of news sources. Liberals and conservatives both overwhelmingly agreed with the statement that museums are \u201cwelcoming to people like me.\u201d<\/p>\n

Dilenschneider said that \u201cthe most shared characteristic of any person in the United States who\u2019s visited a museum in the last year is that they self-identify as a white, non-Hispanic individual\u201d and added that \u201cthere are people who are used to hearing their story and they trust that they will continue to hear their story.\u201d Where the story comes from, though, is less clear. Museums contain an essential paradox: They feel transparent because you can walk in and see the work they do. At the same time, the hand behind that work is less visible: As van Balgooy put it, creditless wall texts can read like \u201cthe voice of God.\u201d<\/p>\n

This impersonal feeling is nearly a definitional feature of institutional trust, Oliver Schilke, the director of the Center for Trust Studies at the University of Arizona, told me. \u201cIt\u2019s more a trust in a category of things rather than in specific individuals or counterparts,\u201d he said. This slight distance allows us to form an idealized view on an institution. Putting the spotlight on real people behind it can degrade that trust if they\u2019re being attacked or discredited, as happened during the often-acrimonious Smithsonian hearings last month. At times, lawmakers seemed to be speaking directly to their supporters online, such as when Representative Nancy Mace of South Carolina demanded that the history museum\u2019s director tell her whether she believes that men can become women.<\/p>\n

When Victoria Cain, a professor at Northeastern University who studies the history of museums and education, described museums\u2019 role in life today, she made them sound like a tonic to the most charged parts of contemporary discourse. Akin to secular churches, museums have taken on a ritualistic quality, she told me: \u201cYou can go be in a common space with other people in an act of appreciation.\u201d<\/p>\n

In this regard, museums aren\u2019t just a last bastion of public faith\u2014they\u2019re a rare, shared, bipartisan cultural space. These days, many people lament the ways that we have retreated into information silos, full of others who agree with us. But you can\u2019t chop up Thomas Jefferson\u2019s desk and give half of it to the right and half to the left. If we all want to see the desk where the Declaration of Independence was written, we\u2019re going to have to learn, first, to be in the same room.<\/p>\n

Read more Atlantic Trivia: Enclaves and Exclaves<\/a><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

Coming after a history museum may not be the base-galvanizing issue Trump thinks it is.<\/p>\n","protected":false},"author":1,"featured_media":1805,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5],"tags":[],"class_list":["post-1806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"yoast_head":"\nOne Problem With Attacking the Smithsonian? Americans Like It. - Commercial Relocation Pros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/commercialrelocationpros.com\/?p=1806\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"One Problem With Attacking the Smithsonian? 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