{"id":1624,"date":"2026-07-27T22:14:39","date_gmt":"2026-07-27T22:14:39","guid":{"rendered":"https:\/\/commercialrelocationpros.com\/?p=1624"},"modified":"2026-07-27T22:14:39","modified_gmt":"2026-07-27T22:14:39","slug":"is-this-what-comes-after-ai-slop","status":"publish","type":"post","link":"https:\/\/commercialrelocationpros.com\/?p=1624","title":{"rendered":"Is This What Comes After AI Slop?"},"content":{"rendered":"<section>\n<p>Most self-published authors can only dream of writing something as popular as <em>Daggermouth<\/em>. Set in a surveillance state ruled by a masked elite, the novel traces the unlikely romance between the president\u2019s son and an assassin hired to kill him. Since H. M. Wolfe uploaded <em>Daggermouth<\/em> to Amazon as a Kindle ebook, it has been a viral hit. \u201cDid I finish <em>Daggermouth<\/em>, or did <em>Daggermouth<\/em> finish me?\u201d a TikTok book influencer gushed. In February, Simon &amp; Schuster paid seven figures to secure the publishing rights to the book and its sequel, which is due out next year.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=1622\">The War That Shall Not Be Named<\/a><\/p>\n<p><em>Daggermouth<\/em> has spent months on <em>USA Today<\/em>\u2019s best-seller list and is ranked No. 1 in Amazon\u2019s \u201cscience-fiction romance\u201d genre. It also tops a less prestigious list, one compiled by academics studying AI writing. Among thousands of self-published Amazon ebooks that they identified as containing \u201csubstantial AI text,\u201d none was more popular than <em>Daggermouth<\/em>.<\/p>\n<p>Until recently, AI fiction has been easy to dismiss as slop. On Amazon, new-book releases nearly tripled from 2022 to 2025. (That\u2019s probably not because humans suddenly dedicated themselves en masse to the written word.) Many are blatant copycats of existing titles, seemingly intended to trick readers into buying them. Their sales figures are generally meager; the reviews, indignant. A suspicious number of them feature protagonists with the same names. Last year, readers of one fantasy novel noticed a line that seemed to be responding to a prompt asking a chatbot to write in the style of another author. But if a book as beloved as <em>Daggermouth <\/em>were written with a chatbot, it would raise an awkward question: Could AI fiction be getting \u2026 good?<\/p>\n<p>In a new study, researchers randomly selected more than 14,000 Kindle ebooks and ran them through Pangram, an AI-detection tool. One in five came back as more than 25 percent AI-written; <em>Daggermouth <\/em>returned 60 percent, according to an underlying data set that the authors shared with me. Those numbers, they acknowledge, tell us only so much. The researchers grouped together text that Pangram had flagged as either \u201cAI-generated\u201d or \u201cmoderately AI-assisted\u201d (the latter of which can mean that AI was used to edit or polish human writing, or vice versa). And although Pangram has a low rate of false positives, it is not perfect.<\/p>\n<p>So the study\u2019s authors, led by Tuhin Chakrabarty, a professor of computer science at Stony Brook University, devised another check. They scanned each book\u2019s text for \u201crare expressions\u201d\u2014strings of at least five words in a specific order\u2014that also appear in other suspected AI books but almost never in human-written ones. <em>Daggermouth <\/em>had many of them. For instance, the following sentence appears near the end of a multipage sex scene in Chapter 27: \u201cThey collapsed together, a tangle of sweat-slicked limbs and racing hearts.\u201d That same sentence, word for word, also shows up in another self-published ebook by a different author. Or consider this line from Chapter 38 of <em>Daggermouth<\/em>: \u201cHer pulse thundered in her ears, drowning out the murmurs of the crowd.\u201d It\u2019s also in an ebook by another author who has published more than 400 different titles on Amazon in the past three years.<\/p>\n<p>The study has yet to be peer-reviewed, and to be clear, there is no definitive proof that Wolfe used AI. \u201cThe suggestion that I used generative AI to write <em>Daggermouth<\/em> is wholly untrue,\u201d Wolfe said in a statement sent by her lawyer. \u201cI wrote this book myself. I have been outspoken about my opposition to generative AI and what it\u2019s doing to writers, artists, and the creative community. I don\u2019t believe it belongs in the writing process.\u201d Referencing Pangram\u2019s limitations, Wolfe added that \u201caccusations like these have real consequences for authors, and they should not be made on the basis of technology that is known to be unreliable.\u201d Susannah Lawrence, a spokesperson for <em>Daggermouth<\/em>\u2019s publisher, Simon &amp; Schuster, told me in an email that the company stands behind the book, noting that it went through \u201cthe same editorial and production process as our other published titles.\u201d Neither Wolfe nor Lawrence addressed my questions about the \u201crare expressions\u201d that <em>Daggermouth<\/em> shares with other recent ebooks.<\/p>\n<p>Chakrabarty, who researches AI writing, told me that <em>Daggermouth<\/em> has \u201ctoo many telltale signs\u201d of AI for him to buy that explanation. He cited Chapter 18, \u201cThank You,\u201d as an example: His research team broke it into 12 chunks for Pangram to evaluate, and the tool classified all parts as AI-generated. (In my own spot checks, the tool classified the first few paragraphs as human-written and the rest of the chapter as 100 percent AI.) I ran this by Mohit Iyyer, a professor of computer science at the University of Maryland who wasn\u2019t involved with the study. An expert on AI-language detection, Iyyer told me that even accounting for Pangram\u2019s fallibility, it\u2019s \u201calmost statistically impossible\u201d for an entirely human-written book to register as 60 percent AI. He added that the study\u2019s broader methodology, which connects AI writing to ebook sales, is sound.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=1620\">A Battle for the Future of the Democratic Party<\/a><\/p>\n<p>Whether or not you believe that Wolfe deserves the benefit of the doubt, the same questions about how <em>Daggermouth <\/em>was written apply to a growing number of other hits on Amazon. Chakrabarty\u2019s study found that books written with \u201csubstantial\u201d AI assistance made up 20 percent of Amazon\u2019s ebook catalog, 12 percent of sales, and 10 percent of best sellers in their genre.<\/p>\n<p>Yet <em>Daggermouth <\/em>stands out for more than just its popularity. The second-best-selling ebook in the data set is <em>Inked Athena<\/em>, by Nicole Fox, an author who has 418 titles listed on Amazon. <em>Daggermouth<\/em>, in contrast, appears to be one of just two novels to Wolfe\u2019s name in 2025, and its sequel is not due out until 2027\u2014an indication that Wolfe\u2019s process likely involves significant amounts of genuine human craft. Iyyer said that using AI in a way that results in a novel that\u2019s actually enjoyable to read takes \u201ca huge amount of effort by a human author.\u201d<\/p>\n<p>Another difference: Jennifer Prokop, who reviews books for Kirkus and co-hosts <em>Fated Mates<\/em>, a popular podcast about romance novels, told me that people in her world keep talking about <em>Daggermouth<\/em>. \u201cNicole Fox, I\u2019ve never heard a single soul talk about her,\u201d she said. (Fox did not respond to a request for comment.) Prokop sees mechanical prose cropping up mostly in self-published ebooks, for which the dominant platform is Amazon\u2019s Kindle Unlimited subscription service. Just because an ebook is charting on Kindle doesn\u2019t mean people are devouring it. Grifters can now use AI to crank out titles by the dozen and then use all kinds of tricks to entice readers, such as buying hundreds of bogus five-star reviews and paying click farms to juice their metrics. \u201cIf you can get 10,000 people to read 10 pages of your book, and you have 300 books you\u2019re putting out,\u201d she said, you can make real money. \u201cBut you\u2019re not actually writing romances people want to read.\u201d (Amazon did not respond to a request for comment.)<\/p>\n<p>If <em>Daggermouth <\/em>is AI, then maybe it\u2019s just an outlier\u2014a book that caught the perfect wave of social-media hype. (A series of controversies surrounding the book, including accusations of the author\u2019s AI use and a backlash to the cover art for a special hardcover version, seemed to galvanize its fans and bring it even more attention.) The notion that AI writing requires a perfect confluence of events to top the charts is a comforting thought. But it might not be true. \u201cEveryone thinks they can tell AI writing,\u201d Christine Larson, a journalism professor at the University of Colorado at Boulder who studies the effect of technology on creative work, told me. \u201cBut I don\u2019t think we can tell so much.\u201d Privately, several authors and editors have told her that they\u2019re using the technology to accelerate or improve their output. \u201cI totally buy into the idea that a human working with AI can write something that is compelling,\u201d she said. \u201cI have absolutely no doubt that we will see more of this in the future.\u201d<\/p>\n<p>If she\u2019s right, then the question is not about whether we\u2019ll see AI best sellers. It\u2019s about whether anyone involved with them will admit it. Coral Hart, a South African author who uses AI to help her publish hundreds of books a year under different pen names, told me that she works hard to keep her pseudonyms secret after she received death threats and thousands of one-star reviews following a <em>New York Times <\/em>story about her. Hart claimed that she has had successful authors join the classes that she teaches on AI writing, though she declined to name them. \u201cUntil they stop the bullying, the witch hunts, and the ousting, I don\u2019t think authors are going to be transparent, and I don\u2019t blame them,\u201d Hart said. \u201cI\u2019m certainly not going to.\u201d<\/p>\n<p>The taboo against the use of AI in literature is understandable: Among other things, it\u2019s wrong to take credit for a book that you didn\u2019t write yourself. Shunning authors suspected of employing AI might work if there were any way to tell for sure\u2014which there isn\u2019t. That shaming ritual puts the moral burden on individual authors instead of on the mammoth corporations responsible for the system in which they\u2019re trying to eke out a livelihood. It also tends to collapse any distinction between pure AI slop and human writing that is assisted by AI. The upshot is a state of affairs that feels untenable: AI writing can be lucrative, but only if it\u2019s kept secret. Eventually, something\u2019s got to give.<\/p>\n<p>Read more <a href=\"https:\/\/commercialrelocationpros.com\/?p=1618\">Photos: Wildfires Rage Across France and Spain<\/a><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>&lt;em&gt;Daggermouth&lt;\/em&gt; could be the first best-selling novel partly written by a chatbot.<\/p>\n","protected":false},"author":1,"featured_media":1623,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1624","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technology"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Is This What Comes After AI Slop? - Commercial Relocation Pros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/commercialrelocationpros.com\/?p=1624\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Is This What Comes After AI Slop? 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