{"id":1046,"date":"2026-07-03T13:41:20","date_gmt":"2026-07-03T13:41:20","guid":{"rendered":"https:\/\/commercialrelocationpros.com\/?p=1046"},"modified":"2026-07-03T13:41:20","modified_gmt":"2026-07-03T13:41:20","slug":"thoughts-on-ai-from-a-prizewinning-writer-accused-of-using-ai","status":"publish","type":"post","link":"https:\/\/commercialrelocationpros.com\/?p=1046","title":{"rendered":"Thoughts on AI, From a Prizewinning Writer Accused of Using AI"},"content":{"rendered":"
\n

Jamir Nazir has become the face of the AI-writing crisis. In May, the largely unknown 62-year-old Trinidadian writer was named a regional winner of the prestigious Commonwealth Prize for his short story \u201cThe Serpent in the Grove.<\/em>\u201d But after it was published in the literary magazine Granta<\/em>, signs began to emerge that the story\u2014about a cocoa farmer who cheated on his wife, and then tried to kill her\u2014may have been AI-generated. Among other indicators, Pangram, an imperfect but industry-leading AI detection tool, flagged the story\u2019s text as 100 percent artificial.<\/p>\n

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Inscrutable lines plucked from Nazir\u2019s dense prose were mocked and memed. A young woman in the story \u201chad the kind of walking that made benches become men.\u201d Another \u201csmiled like sunrise over a sink.\u201d Soon, other winners\u2019 stories came under suspicion. The Commonwealth Foundation defended the authors, saying that all had testified that their work was original, but it pledged to investigate further.<\/p>\n

On Tuesday, the Commonwealth Foundation announced that \u201cThe Serpent in the Grove\u201d had been chosen from among the regional winners as this year\u2019s overall prize winner. \u201cThe team worked hard to understand Jamir’s creative process and learn how he shaped his story over time,\u201d a spokesperson for the Commonwealth Foundation told me in an email. Razmi Farook, the organization\u2019s director general, had previously issued a statement on the results of its probe: \u201cAfter a thorough consultation with our judges and careful consideration of all available information, we are satisfied that AI was not used to write the winning stories.\u201d He noted that the investigation did not make use of Pangram or other AI-detection tools, because of their inability to provide conclusive evidence as well as \u201cconcerns regarding artistic ownership and consent.\u201d Instead, the foundation said it had held \u201cdetailed discussions\u201d about the regional winners\u2019 creative process and examined \u201cworking drafts, time-stamped documents and notes\u201d that showed how they developed their stories.<\/p>\n

In a phone interview Tuesday afternoon, Nazir told me he feels vindicated\u2014and relieved. \u201cLook, I didn\u2019t use it!\u201d he said about AI. Now that he has won the prize, Nazir said, he is free at last to explain his process and clear his name.<\/p>\n

We talked for more than an hour about his writing process, his health (he referenced complications with both diabetes and cancer), and his views on technology. On several occasions, he seemed to avoid answering my questions directly; when he did, some of the answers were circuitous. I was surprised to hear him opine that AI-generated writing will soon be widely accepted in literature, even as he maintained that he didn\u2019t use AI tools in creating his story. He seemed bullish on AI overall, viewing it as a revolutionary technology, though he worried about the repercussions of saying so. Although he couldn\u2019t name any works by Derek Walcott, a writer he cited as one of his main literary inspirations, he said he had prepared a collection of short stories in Walcott\u2019s style, which he hopes to publish soon.<\/p>\n

This conversation has been edited for length and clarity.<\/em><\/p>\n

Will Oremus:<\/strong> How did it feel to win this award after all of the controversy you\u2019ve endured since you were named a finalist?<\/p>\n

Jamir Nazir:<\/strong> Yes, there\u2019s been a lot of controversy preceding this win, and it\u2019s been really hard. To hear people smearing me, and reading all of the crap. They didn\u2019t know there was a real human and a real family behind the story.<\/p>\n

One of my most joyful moments in receiving the news that I won the award was sharing it with my mother, who will be 82 in August. My nephews have kept her informed on lots of the negative things. I didn\u2019t take a sword and plunge it into her side, but I felt as though I supplied the sword by entering the competition. So it made me feel so good when I could tell her that I had won despite all the nonsense that they were seeing.<\/p>\n

Oremus:<\/strong> I know you\u2019ve said you didn\u2019t use AI while writing this story. But I\u2019m interested to hear more about your writing process. People were curious how you produced this work that was so dense that it almost reads more like poetry than prose.<\/p>\n

Nazir:<\/strong> I was born with diabetes. And as a result of that, conventional typing on a keyboard\u2014it\u2019s extremely difficult for me. As I\u2019ve gotten older, the neuropathy has gotten worse. Sitting for long periods of time at a desk gives me some back problems. So what happened is I decided: Look\u2014no better place to write than the couch<\/em>. And as a result of that, I found out that I can use the speech-to-text function of the Google keyboard on my Android phone \u2026That\u2019s what\u2019s actually producing words, and then I edit them and so on.<\/p>\n

That has given me the opportunity to significantly polish text. Because you know, on an Android phone, when the keyboard comes up, you only have a very small space, about three and a half inches, to see the writing. So I would look at those lines, and hold those words in my mind, and keep reviewing them, keep polishing.<\/p>\n

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But to back up a bit: Why the hell\u2014sorry for the expression\u2014would I need AI? It was absolutely not needed in this story, because I lived this. The story actually has a lot of real people, real places, and real situations. Even the little bread shop I wrote about in the story actually exists\u2014not in my small, little village here now, but where my wife came from, which is another small village.<\/p>\n

Oremus:<\/strong> You\u2019ve explained why you think the AI-writing detectors might have mistakenly flagged your story. How did you convince the Commonwealth committee that you didn\u2019t use AI after all?<\/p>\n

Nazir:<\/strong> They requested a lot of documentation. They made it clear it was voluntary to produce these materials, because they were not part of the initial rules. But I had to produce all of the previous drafts, and also my character profiles I had sketched out. And of course, I originally had to sign saying that no AI was used.<\/p>\n

Oremus:<\/strong> You\u2019ve talked about how the unusual writing style in \u201cThe Serpent in the Grove\u201d stemmed from your love of poetry. Who are a couple of your favorite poets who have inspired you?<\/p>\n

Nazir:<\/strong> The first one whose poetry I fell in love with was a guy known as Pablo Neruda from Chile. And his teacher or mentor was a lady known as Gabriela Mistral. Both of them had a profound impact on me. Then there is Derek Walcott, a Caribbean poet who, like Pablo Neruda, is a Nobel Prize winner. The thing that got me attracted to Walcott was his complete disregard for the traditional Western sentence structure, which people cite as one of the things that proves my writing was AI. But Walcott created his own style.<\/p>\n

I looked at how they all write, and I write poetry in their style too. AI must have been fed all their work. And another thing to that: I have significant poems that I\u2019ve posted in several poetry groups on Facebook. Once it\u2019s on Facebook, AI companies will have data-mined that, right? So they have all of that as a reflection of my style as well, right? I wonder if they can attempt to claim it as their own, as AI-generated. Do you think that\u2019s possible?<\/p>\n

Oremus:<\/strong> So you mean that AI gets trained on human writing, and then it generates similar writing?<\/p>\n

Nazir:<\/strong> Okay, say AI has been trained with the writing of Will. So it understands what Will does, right? Now, when it sees Will\u2019s writing again\u2014if somebody puts Will\u2019s article through an AI detector\u2014because it\u2019s familiar with that style and construct, it tells itself, This must be generated by an AI system<\/em>. I\u2019m wondering if it is possible.<\/p>\n

Oremus:<\/strong> I don\u2019t know. That\u2019s not how a tool like Pangram works. It\u2019s looking for statistical patterns in the language that are more commonly produced by AI systems than by human writers.<\/p>\n

Nazir:<\/strong> But is that true? Why, then, has no court of law in any country, even the tiniest country in the world, accepted as admissible any AI-detector system? Not one country. So that shows you, in terms of the reliability\u2014I\u2019m not saying it\u2019s not helpful, but I think there\u2019s still a lot of refining.<\/p>\n

Oremus:<\/strong> You had mentioned some of your inspirations earlier, including Walcott and Neruda. What\u2019s your favorite Walcott work?<\/p>\n

Nazir:<\/strong> Walcott has a lot of Caribbean poems, right? And I cannot\u2014there are several, and they talk about the destruction of a village because of the sea. And I wrote something like that. It\u2019s quite a change. And I am advertising a little bit, but I have a collection that I have written, my Caribbean collection, sort of Walcott-style. I tried to edit it as much myself as I could, and it\u2019s ready for publication. So hopefully this award will give me the platform to publish this.<\/p>\n

Oremus:<\/strong> But do you have a favorite of Walcott\u2019s poems?<\/p>\n

Nazir:<\/strong> A story of Walcott\u2019s?<\/p>\n

Oremus:<\/strong> Yeah.<\/p>\n

Nazir: <\/strong>To be honest with you, I can\u2019t think of a specific favorite right now. I am getting a little bit of brain fog in recall. I had an excellent memory, and now it haunts me because at times I can\u2019t remember even basic stuff. I think it\u2019s a part of the condition, the illness. And I\u2019m on chemotherapy as well. So that is a hard thing.<\/p>\n

Oremus:<\/strong> Some of your posts on LinkedIn, as people have pointed out, are a very different style from your fiction. Which, of course, makes sense, right? I mean, fiction is a completely different mode of writing. But I wondered if maybe you used AI on the LinkedIn posts.<\/p>\n

Nazir:<\/strong> No, no, no. I did research with AI. But in terms of the actual writing\u2014I had grown accustomed to very technical and precise writing. I think that AI is a good tool for research\u2014 that\u2019s the most value.<\/p>\n

And on the same topic of that, what about the typewriter? When the typewriter was first invented, writers kicked hell and said, The thing is writing. You\u2019re supposed to use a quill or your fountain pen<\/em>. And there was a big hullabaloo. We passed that, and then next came new word processors. I can tell you word processors are machine assistants, because they can check the spelling, right? They can search, find and replace, suggest synonyms, et cetera. Modern-day word processing can do almost everything. Where\u2019s the uproar? It settled down. Now I think the same thing will happen with AI.<\/p>\n

Oremus:<\/strong> Because you think that eventually AI will be accepted as just another tool for writers the way that a word processor is, what is so bad about using it? Why not use it?<\/p>\n

Nazir:<\/strong> No, I\u2019m not saying it\u2019s bad. But because of this current time, where the debate is on, like it was on for the typewriter or the word processor, I wouldn\u2019t encourage any writers in any kind of literary competition to utilize it now for fear of people criticizing them. Look\u2014I didn\u2019t use it! It\u2019s not only me, Will. It\u2019s also all these people who are painted with this AI brush, right? So I imagine you should stay away from it for any literary competition for the next two or three years. I think that discussions will be held and so on, and then people will get an opportunity to vent.<\/p>\n

I don\u2019t know if I\u2019m walking on dangerous ground here with you, because as I was told a lot by the wife and other people, Do not show any appreciation for AI<\/em>. I see it as being a tool incorporated in the future. Because a lot of people use it\u2014a lot of people.<\/p>\n

Read more The Hispanic Founder<\/a><\/p>\n<\/section>\n","protected":false},"excerpt":{"rendered":"

Jamir Nazir, the controversial winner of a prestigious literary award, tells his side of the story.<\/p>\n","protected":false},"author":1,"featured_media":1045,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17],"tags":[],"class_list":["post-1046","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-technology"],"yoast_head":"\nThoughts on AI, From a Prizewinning Writer Accused of Using AI - Commercial Relocation Pros<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/commercialrelocationpros.com\/?p=1046\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Thoughts on AI, From a Prizewinning Writer Accused of Using AI - Commercial Relocation Pros\" \/>\n<meta property=\"og:description\" content=\"Jamir Nazir, the controversial winner of a prestigious literary award, tells his side of the story.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/commercialrelocationpros.com\/?p=1046\" \/>\n<meta property=\"og:site_name\" content=\"Commercial Relocation Pros\" \/>\n<meta property=\"article:published_time\" content=\"2026-07-03T13:41:20+00:00\" \/>\n<meta name=\"author\" content=\"admin\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"admin\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"10 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/commercialrelocationpros.com\\\/?p=1046#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/commercialrelocationpros.com\\\/?p=1046\"},\"author\":{\"name\":\"admin\",\"@id\":\"https:\\\/\\\/commercialrelocationpros.com\\\/#\\\/schema\\\/person\\\/3a3374a445f1b5d4852b1d7c15b9fe3a\"},\"headline\":\"Thoughts on AI, From a Prizewinning Writer Accused of Using AI\",\"datePublished\":\"2026-07-03T13:41:20+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/commercialrelocationpros.com\\\/?p=1046\"},\"wordCount\":2073,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/commercialrelocationpros.com\\\/?p=1046#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/commercialrelocationpros.com\\\/wp-content\\\/uploads\\\/2026\\\/07\\\/5f5990264cf130805c86e5ff343732c8.avif\",\"articleSection\":[\"Technology\"],\"inLanguage\":\"en-US\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/commercialrelocationpros.com\\\/?p=1046#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/commercialrelocationpros.com\\\/?p=1046\",\"url\":\"https:\\\/\\\/commercialrelocationpros.com\\\/?p=1046\",\"name\":\"Thoughts on AI, From a Prizewinning Writer Accused of Using AI - 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